[After the current song ends and before the next begins, Bill gives Ben a small wave as he walks onto the stage. He clears his throat away from the mic, then nods to the band as a signal that he's ready when they are.
The song that starts up is typically known for having female vocals, odd considering the lyrics appear to be from a male perspective, yet something about Bill's take on it seems inexplicably fitting. While it's hard to call his speaking voice particularly smooth, his singing is a much different story. It could be described as being very Broadway, but still lending itself to jazz quite nicely. And for some reason, this song especially.]
Why so down tonight? Just another day that didn't go your way, Well, don't you make a sigh, Just take my hand, Don't toss and turn...
2/2
The song that starts up is typically known for having female vocals, odd considering the lyrics appear to be from a male perspective, yet something about Bill's take on it seems inexplicably fitting. While it's hard to call his speaking voice particularly smooth, his singing is a much different story. It could be described as being very Broadway, but still lending itself to jazz quite nicely.
And for some reason, this song especially.]
Why so down tonight?
Just another day that didn't go your way,
Well, don't you make a sigh,
Just take my hand,
Don't toss and turn...